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It takes a lot to stand out as a rom-com in a year filled with rom-coms, but even without fancy bells or whistles, more locations in bangalore dating Marriage Not Dating was one of the best-written shows of the year. Eun Seol eschews dating and the poor dude holding the roses with a pathetic heartbroken look on his face so she can study. Ji Heon in turn wonders if Moo Won is wearing make up. Ji Heon goes back to his office and tells his secretary to cancel all his engagements for the rest of the day.
But overall the show is beautifully shot, populated with colorful characters, and is a great balance of comedy and drama. And the fact that their tense, funny, and heartbreaking and fated! It felt like a drama written by somebody who had spent a lifetime watching romantic comedies, who found witty ways to twist our expectations at every step of the way.
Ji Heon, with his secretary in tow, runs into daddy dearest. The girls sit outside and look out on the Seoul night lights, which are bright because many people are still at work. Part of that duality was due to the fact that Lee Seung-gi was playing the hero of a revenge tale while the rest of the cast was in Police Academy. If only that had been the rule and not the exception. Or I could go get myself a brain injury and forget I ever watched it.
Apparently this is possible. Ji Heon sees a wadded up tissue on the ground and almost has an attack. Moo Won tells Ji Heon to treat people right and not be so uncouth all the time.
Misaeng was that perfect balance of artistically accomplished but totally accessible, and in no time it became a smash hit that everyone was talking about. Secretary finally shows up and Ji Heon wants to know if the woman has been found.
There were no curses, imaginary or otherwise, which was a pretty big letdown given how central it seemed at the start. Eun Seol beats back the gangsters and manages to runs away. Doctor says because Ji Heon is refusing pill treatment, he thought this might help. Deftly directed, bright musical cues befitting the comedy of this story, and a fast-paced launch to get all the main characters orbiting each other almost immediately.
Dad cries from the ignominy of it all, and the reporters write it up as he cries tears of regret and shame. Right out of the gate it was dark, legitimately thrilling, and so emotionally charged. She says Ji Heon is so rebellious because dad keeps beating him up. Dad is wheeled out in a wheel chair, acting all wan and weak.
But it also gives me hope too, that despite that fact, human connection is still worthwhile and gratifying, and sometimes, life-changing. So this is what a sixteen-hour music video feels like. She rails at her son for beating up her grandson, especially in public at the office. Ji Heon refuses to let Secretary get into the car until he finds that chick. The king began in a more interesting place as a conflicted man on his way to becoming a despot, but even he eventually became a political puppet and receded into the background.
Ji Heon keeps stumbling over his presentation and mis-reading phrases. Each guy takes turns discussing things that frighten them. And I loved that Mom got a loveline of her own, which was one of the highlights. Moo Won likes what he sees, a direct, honest, and courageous girl. Ji Heon asks secretary to arrange Ji Heon to go abroad.